Friday, 29 March 2024

Arts & Life

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Singer Maria Muldaur closed out the second annual Blue Wing Blues Festival with a powerful 90-minute performance. Photo by T. Watts.

 



UPPER LAKE – Sometimes what you get onstage is two things in one. I observed this phenomenon many concerts ago.


Sometimes musicians, for various reasons have to perform at the same venue under different names. I’m not making this up. When, as a teenager I went to a concert to see Bob and Earl (The Harlem Shuffle) and Jackie Lee (The Duck), it turned out the Earl, and Jackie Lee were the same person.


And so, dear readers, bluesologist that I am, equipped with the foreknowledge that the Mighty Mike Schermer Band and the Maria Muldaur Red Hot Bluesiana Band were the same musicians, I skipped the first set Saturday night at the Blue Wing Blues Festival, confident that I would still garner a healthy dose of both. (Plus, I had a prior commitment.)


Mike Schermer’s credentials are solid and authentic. His latest release, “Right Hand Man,” is peopled with R&B, blues and pop stalwarts like Howard Tate, Earl Thomas, Marcia Ball, John Nemeth, Elvin Bishop, Angela Strehli, Marcia Ball, Sista Monica Parker and Maria Muldaur. You can’t assemble a cast like and produce a great record unless you yourself have what it takes. Check it out for yourself.


Maria Muldaur just released her 35th album in 40 or so years of being at the cutting edge of American music. Maria and Mike Schermer have shared the stage and studio on many occasions though as Schermer’s career has ascended, they don’t work together as often as they once did.


Muldaur hit the stage at 8 p.m. sharp Saturday night and confessed to the crowd that since she wouldn’t be making it to church on Sunday they might as well have it at the Blue Wing on Saturday night. Her Gospel selection, “Getting’ Ready To Go Back Home,” lifted the spirits of the crowd right away.


She introduced the crowd to selections from her new album, “Yes we can!”, which, incidentally, features folks like Odetta, Joan Baez, Bonnie Raitt, Phoebe Snow and The Women’s Voices For Peace Choir.


Muldaur’s Red Hot Bluesiana Band consisted of Mike Schermer on guitar, Chris Burns on keys and David Tucker on drums. These musicians came to play and did so nonstop for more than 90 minutes. They covered material by Leadbelly, Memphis Minnie, Marvin Gaye, The Neville Brothers and of course Maria’s own originals. When she sang Marvin Gaye’s politically charged, “Inner City Blues,” she commented, “It’s a pity we still have to sing this song 40 years later.”


Muldaur and the band kept the energy up and the crowd danced until the end. At about one hour into the show, she asked the crowd, “Are you having fun?” An uproarious “YESSS” was the collective response. Muldaur quipped, “Well, I guess we’ll keep on playing.” They did so for another 30 minutes.


Maria Muldaur closed her exuberant set with her most requested numbers, “It Ain’t The Meat, It’s The Motion,” “ Midnight At The Oasis” and “Don’t You Feel My Leg.” They finished to a standing ovation.


Afterwards Muldaur and Schermer graciously signed CDs until everyone was satisfied.


The length of the performance and the willingness of the performers to please the crowd made Maria Muldaur and Ret Hot Bluesiana Band the perfect closer to the second annual Blue Wing Blues Festival.


See all you blues lovers next year. Or maybe next Monday.


T. Watts writes on arts and culture for Lake County News.


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The dance floor stayed busy at Thursday night's blues festival. Photo by T. Watts.

 



UPPER LAKE – The Blue Wing Blues Festival continued for the second night in the open air garden between the Tallman Hotel and the Blue Wing Saloon & Café on Thursday, Aug. 7.


Veteran world-class performers Kathi McDonald, Rich Kirch and David Hayes cooked up a raucous blues porridge of hits to open the show. The high-spirited crowd of people were treated to tight renditions of “Lawdie Miss Claudie,” “Talk To Me Baby,” “Help Me Baby (I Can’t Make It Alone)”, “Hound Dog,” “Hoochie Coochie Man” and “Rock Me Baby,” among others.


McDonald, very summery in a leopard-patterned, really short ensemble, pranced and danced about in high heels, interspersing her vocals with historical anecdotes about the blues music business. For example she cooed, “Albert King was one of the meanest men who ever slang a guitar.”


We can add another great artist to the census rolls in Lake County. Apparently, Rich Kirch has been living in Lakeport for some time now. We hereby welcome another great purveyor of the blues to the area.


In a post performance conversation with Bernie Butcher, 25-year Van Morrison bassist David Hayes was heard to inquire about the music scene in Lake County and Butcher invited him to check out Blues Monday’s at the Blue Wing and Hayes, who lives in Fort Bragg, seemed genuinely intent on stopping in from time to time.


After a short intermission, the BMF Band took the stage. Musically directed by the renown Robert Watson and fronted by guitarist Levi Lloyd, the group also includes drummer Steve Guerrero and keyboardist Richard Smith.


The group kicked off their set with a total Levi Lloyd arrangement of Junior Walker’s “Cleo’s Back.” They then did a tasty version of The Crusaders' “Put It Where You Want It.” The Crusaders are seldom covered. It was great stuff.


After running through a couple of Jimmy Reed numbers, including the customary, extended Bernie Butcher live remix version of “Big Boss Man,” it was diva time at the Blue Wing. Levi Lloyd declared , “good or bad, the blues is all about love. And here to break it down to you is …”


Bettie Mae Fikes paused just off mic and exchanged blues channeled energy with her muse. She launched into an absolutely accurate reading of “Your Husband Is Cheating On Us,” followed by “Down Home Blues.”


The dance floor overflowed like the libations of the Festival’s sponsors, Ceago Vinegardens and Zoom Wines.


Bettie Mae and the BMF Band were in fine form. Their blues and funk licks had folks continuously on the dance floor, a synchronized melding of the young and older.


When things had reached near fever pitch, the band took a break. When they returned to the stage, the groove continued. Bettie broke into a monologue that detailed her Southern roots. She spoke of her Gospel singing mother and blues gigolo father. How her friends gravitated toward rock and roll yet she stuck with the blues. She preached especially hard to the youth in attendance. I believe they received the message.


The set went an hour or so over the advertised end time of 9 p.m. If you missed Bettie Mae Fikes, she will be performing again in Lake County Oct. 4 for KPFZ’s Blues and Barbecue at the grange in Finley. In addition to her own CD, “Blues Holiday,” Ms. Bettie Mae also appears on the great Mavis Staples most recent CD, “We’ll Never Turn Back,” produced by Ry Cooder. Rolling Stone Magazine reviewed the CD complete with picture of Mavis and Bettie Mae in their May 3-17, 2007 issue. It’s a monumental testimony to the Civil Rights Era. Methinks you should get hip to it.


T. Watts writes about music and culture for Lake County News.


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The nominations for the Emmy Awards were recently announced, and maybe you were a little amazed, or puzzled, that a basic cable TV series, not seen on HBO or Showtime, was nominated for a surprising number of categories, including outstanding drama series and outstanding lead actor.


I am referring to AMC’s “Mad Men,” a very stylish period piece about the advertising world in Manhattan at the dawn of the Kennedy era. Heretofore, AMC was probably best known for its seemingly endless supply of classic Hollywood movies. With 16 nominations for a celebrated drama series, AMC just may be moving up in the TV world.


Now, many of you may be wondering what the fuss is all about, considering so few people have probably watched the series at all. “Mad Men” became the darling of critics everywhere, and recently the Television Critics Association (TCA) bestowed three awards on AMC’s freshman series “Mad Men,” including Program of the Year, Outstanding New Program of the Year and Outstanding Achievement in Drama.


Keep in mind that the TCA, unlike the Emmy Awards, has only nine categories for awards, and “Mad Men” was very unlikely to win in a category like children’s programming or news and information. My guess is that you had no idea the TCA gave out awards anyway.


I never like to fall in line with the herd of critics blathering and raving about a particular series, but “Mad Men” is really fascinating in so many ways that I am irresistibly drawn to the second season that started July 27. If you miss the start, keep in mind that cable networks always run their original programs multiple times, thus saving you the trouble of recording shows for later viewing.


Oh, by the way, “Mad Men” also won the Golden Globes earlier this year for Best Television Drama Series and Best Actor in a Drama Series for Jon Hamm. The aforementioned Mr. Hamm is the star of the show, playing the very dapper Don Draper, creative director of the Sterling Cooper Advertising Agency.


On a superficial level, Don Draper has an idyllic life, working in a glamorous industry and having a model family, including his pretty wife Betty (January Jones), a former professional model. Beneath the glossy surface is an entirely different story, since Draper has a double life and a secret past that sometimes bubbles up into more public view.


Last season, every episode left one anxious to see the next, anticipating more layers of the onion to be peeled. The greatest fascination with “Mad Men” is that most of the action took place in the shark-infested waters of the Madison Avenue corporate headquarters.


At the end of the first season, Draper was blackmailed by ambitious young account executive Pete Campbell (Vincent Kartheiser) and, in the process, Don’s true identity was finally revealed.


In the second season, the newly-promoted Draper struggles to stay ahead of the young bucks nipping at his heels, while dealing with the entanglements in his personal life. The sneaky Pete Campbell is someone to keep an eye on, as he will certainly maneuver for advantage in the corporate pecking order.


The 1960s era setting for the corporate world is highly charged by sexual shenanigans and seduction, and as such, some of the secretaries are fodder for the kind of harassment that is not only politically incorrect but legally actionable today.


Draper’s former assistant Peggy (Elisabeth Moss) proved her talent by becoming a junior copywriter, but not before succumbing to an unfortunate office fling. As head of the secretarial pool, the attractive Joan Holloway (Christina Hendricks), a real femme fatale, is gifted at office politics, but she’s had a dangerous affair with Sterling Cooper partner Roger Sterling (John Slattery).


Fascinating to watch for so many reasons, “Mad Men” looks at the societal issues and culture of the early 1960s through the prism of a corporate world where lust, power and ambition run rampant. The show’s characters, in large or small roles, offer a range of interesting perspectives on cultural mores.


Restless and often moody, Draper smokes and drinks too much. Actually, just about everybody is smoking and drinking, almost to extremes. Sexism is rampant, and hardly any male employee is above flirting and sexual harassment. The devious Pete Campbell, a recent newlywed, sexually pursued Draper’s assistant Peggy, while treating most women with condescension.


“Mad Men” is very deserving of the Emmy Awards nominations for such categories as outstanding art direction, cinematography and costumes. This is a show with an incredible visual appeal, where the producers have taken great care to create an authentic look for the early 1960s.


Though the second season should prove compelling, it would seem essential to be familiar with the entire first year. If you missed all the AMC reruns, the entire first season has been released on DVD.


Tim Riley writes film and television reviews for Lake County News.


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From left, Scott Bowers fills in on bass, performing along with legendary guitarist Mike Wilhelm at the Blue Wing Blues Festival last week. Photo by T. Watts.

 


UPPER LAKE – Despite the absence of regular bassist Jon Hopkins, the Lake County Blues All-Stars opened the Friday version of the 2008 Blue Wing Blues Festival with a slammin’ set of blues featuring great vocal stylings by 1960s legend Mike Wilhelm and Neon, who is rapidly climbing the vocal blues chops ladder.


Working from the songbooks of Freddie King, Muddy Waters, Robert Johnson, Jimmy Reed, B.B. King and others the All-Stars delivered a solid set. The versatility of Mike Wilhelm’s playing was evident as he alternated between rhythm and lead licks. He picked up a National Steel Resonator guitar halfway through the set and gave the crowd ample evidence of why Jerry Garcia called Wilhelm his favorite guitarist.


I can’t leave out Jim Williams’ contribution. He contributed several stinging solo’s which left some folk’s open-mouthed. Kudos also to Scott Bowers filling in on the bottom for Jon Hopkins on a moment's notice. If you’d like a little taste of the Lake County Blues All-Stars, they play Blue Mondays at the Blue Wing frequently.


Friday Night headliners, the Ford Blues Band with Patrick Ford and Volker Strifler are connected musically all over the world. Patrick Ford’s brothers, Robben and Mark, have made individual high water music marks as well.


To start, the band ripped through three up-tempo harp-driven, guitar-fueled numbers and quickly had the crowd on its dancing feet. Harp man Andy Just was smoking. Bassist Dwayne Pate anchored the bottom pocket while Patrick Ford’s beat was cool and steady.


Volker Strifler played and sang amazingly well. His version of Howlin’ Wolf’s Spoonfull was very authentic. If there had been a vote for the festival’s best guitar player, Volker would have been hard to beat. If you ever get a chance, catch this band live. They don’t just cook, they sizzle!


T. Watts writes about music and culture for Lake County News.

 

 

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Singer Neon and bassist Scott Bowers perform during the blues festival. Photo by T. Watts.
 

 


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PINEAPPLE EXPRESS (Rated R)


The Judd Apatow comedy factory is at it again, cranking out yet another vehicle for slackers to get their share of laughs. In the tradition of “Superbad” and “Knocked Up,” incidentally two comedies in which Seth Rogen was either the star or writer or both, along comes “Pineapple Express” where Rogen wears multiple hats as a key player in front of and behind the camera. For such a busy guy, it’s interesting that he’s usually playing the goof or loafer with a serious lack of motivation.


Not surprisingly, “Pineapple Express” offers more of the same for Rogen in his role as Dale Denton, a giant loser with a serious fondness for weed. A disheveled process server who stalks his prey with a variety of costumes, Dale is not going anywhere in life, a point underscored by the fact that he’s dating barely legal high school girl Angie (Amber Heard).


Dale has a grudging business relationship with the laconic drug dealer Saul Silver (James Franco), deigning to visit his shabby apartment only to purchase some of the primo product. Unable to form complete thoughts into coherent sentences, Saul seems to be enjoying a rare new strain of marijuana called Pineapple Express.


Perhaps too stoned to know better, Saul appears only too willing to turn a business relationship into something more meaningful, if only to engage in some conversation beyond a transaction for illicit contraband.


While staking out a residence in an attempt to deliver a subpoena, Dale witnesses a cold-blooded murder committed by the city’s most dangerous drug lord, Ted Jones (Gary Cole), who’s assisted in this crime by a crooked cop (Rosie Perez).


Fleeing the scene of the crime in great haste, Dale drops the remnants of his Pineapple Express joint. This piece of smoking evidence, of course, is all that the evil drug lord and dishonest cop need to pick up a trail leading right back to the drug-dealing Saul.


When Ted’s goons arrive on the scene, Dale and Saul are suddenly thrust into a wild odyssey that puts them on the run, after discovering they are not just suffering from pot-induced paranoia. The long, weird journey to escape harm puts them in some awkward and often bloody, violent situations, such as when they confront drug middleman Red (Danny McBride), who’s only too eager to sell out his buddy Saul when pushed around by nasty, brutal thugs.


Only slightly less frightening is the encounter that the duo must endure by showing up for dinner at Amber’s house, since Dale had promised so many times to meet her parents (Ed Begley Jr. and Nora Dunn), who are in turn absolutely stunned and appalled by Dale’s erratic behavior. Of course, it’s absurd that Dale is going through this courtship effort when his life is in mortal danger.


For all their attempts at a getaway, Dale and Saul are slightly more consumed with a nearly insatiable desire to keep sampling the potency of Pineapple Express. This puts the loopy guys in more danger, though Dale appears more tuned into their predicament than the largely oblivious Saul. At one point, Saul thinks that hiding in a dumpster may be the best alternative to constant flight.


The charm, if that’s the appropriate word, of “Pineapple Express” is the developing friendship between the more uptight Dale and the perpetually unaware Saul. In a relationship forged by circumstances, these putative buddies have a weird, genial bond that makes them likable even when things get violently out of control in the climactic showdown with warring drug gangs.


Chemistry (an interesting word to use when talking about a drug-fueled plot) is very much present between Seth Rogen and James Franco. These guys are fun to watch, even in the most stressed-out situations. “Pineapple Express” is probably the best stoner comedy since the first “Harold and Kumar” movie, when the love of weed made the principals crave White Castle burgers. Meanwhile, Judd Apatow is just hoping that the target audience will crave this brand of humor, and most likely the younger crowd will prove more accepting of the elements of gross-out comedy mixed with violence.


DVD RELEASE UPDATE


Since the film reviewed this week is a Judd Apatow comedy, maybe it is only fitting to bring to your attention the DVD release of the raunchy teen comedy “Legacy,” the story of three sorority beauties who will have everyone watching their backs.


Haylie Duff stars as Lana Stevens, the hottest coed at the Omega Kappa house, who’s forced to accept one of the most unpopular girls on campus as her new sorority sister. But when this geeky pledge is found dead at a party, Lana and her two best friends become prime suspects in a murder investigation, lead by the intense and determined Detective Strasburg (Tom Green).


Full of tortured laughs, catfights, sex and murder, “Legacy” sounds just right for the Apatow crowd.


Tim Riley writes film and television reviews for Lake County News.


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