Lake County News,California

Arts & Life

: Kwame Dawes; Posted On Monday, 21 November 2022 00:17; 21 November 2022

American Life in Poetry: Crater Heart

Tennessee Hill’s South emerges in her poem as a character, a personage that haunts and possesses her with beauty and a certain disquiet.

Her poem, “Crater Heart,” moves from fragmentary image to simile to metaphor in a seemingly disjointed fashion, that in the end, becomes a composition of arresting beauty: “I have stuffed the South’s nightlights/ in my mouth.”

Perhaps this is how she wants us to read her poem of elegant strangeness.

Crater Heart
By Tennessee Hill

Such strangeness these days.

Morning rising over my head
like the quilt sewn of old t-shirts
or saltwater waves
licking our sun-bleached dock.

Then—you absorbing moment, you
harvest queen—the sky is surprised
by evening’s orchard.

I have stuffed the South’s nightlights
in my mouth. Gala of fireflies.

How clumsy I feel in front of God.

American Life in Poetry does not accept unsolicited manuscripts. It is made possible by The Poetry Foundation, publisher of Poetry magazine. It is also supported by the Department of English at the University of Nebraska-Lincoln. Poem copyright ©2022 by Tennessee Hill, “Crater Heart” from The Adroit Journal Issue, Forty-One. Poem reprinted by permission of the author and the publisher. Introduction copyright ©2022 by The Poetry Foundation. The introduction’s author, Kwame Dawes, is George W. Holmes Professor of English and Glenna Luschei Editor of Prairie Schooner at the University of Nebraska.

: Debra Fredrickson; Posted On Saturday, 19 November 2022 03:20; 19 November 2022

Lake County Community and Youth Orchestra to perform rousing tunes at upcoming LCSA concert

LAKE COUNTY, Calif. — The Lake County Community and Youth Orchestra, under the direction of Dr. Camm Linden, will perform at the beginning of Lake County Symphony’s Fall concert this Sunday, as was traditional for the youth orchestra in the past.

The musicians will play several lively and well-known pieces, all arranged by Richard Meyer and all guaranteed to get toes tapping.

The Lake County Community and Youth Orchestra starts its performance with “Can-Can” by Jacques Offenbach, from the 1858 comic opera “Orpheus in the Underworld.”

Originally known as the “Infernal Gallop” it gained popularity when both the Moulin Rouge and Folies Bergere in Paris selected it as the music for their famous Can-Can dance.

The second piece is “Habanera” from Georges Bizet’s “Carmen,” in which Carmen sings about “love being a rebellious bird that cannot be tamed.” It is perhaps the most famous aria from the 1875 opera.

The melody is based on the song “El Arreglito,” written by Spanish musician Sebastian Yradier.

Bizet thought he was borrowing from an old folk song, but upon learning the tune had been written just 10 years prior, he immediately acknowledged Yradier as the source in his manuscripts.

The last selection is “Radetzky’s March” by Johann Strauss, Sr. in honor of a heroic Austrian field marshal named Joseph Radetzky von Ratetz. It was first performed in 1848 by an Austrian Army band for a group of Austrian officers.

Apparently, it was an instant hit. The officers were so taken by the joyful and festive mood of the music they began clapping and stomping their feet to the rhythm.

It is an audience tradition that continues to this day.

: Kwame Dawes; Posted On Monday, 14 November 2022 00:29; 14 November 2022

American Life in Poetry: The Love Ridge Loop

The title of the poem, “The Love Ridge Loop,” is, no doubt, something of a joke, an exaggeration built on irony. After all, the poem is an ironic love poem, and, at the same time, an anti-dog poem.

But it allows for something else, a poem about the unreliability of affection, of how, in love, we dare not admit to the animal danger in those we love or, at least, own in love.

Abbie Kiefer’s poem resonates nicely for those of us who view with deep skepticism the expressed assurances of our safety by pet-owners, while we walk among unleashed dogs in our neighborhoods.

The Love Ridge Loop
By Abbie Kiefer

In disregard of the signs,
no one bothers
with leashes,
dogs barreling unbounded
over every grooved path.
He’s friendly they yell,
50 yards back. Don’t worry,
he’s darling, a cuddlepie
of a pup. I’m never
not wary. Show me any person
who could call their dearest
unworthy. Who would warn me
Walk wide. He’s teeth and more
teeth. This creature I love
beyond my control.

American Life in Poetry does not accept unsolicited manuscripts. It is made possible by The Poetry Foundation, publisher of Poetry magazine. It is also supported by the Department of English at the University of Nebraska-Lincoln. Poem copyright ©2021 by Abbie Kiefer, “The Love Ridge Loop” from Nashville Review, August 1, 2021. Poem reprinted by permission of the author and the publisher. Introduction copyright ©2022 by The Poetry Foundation. The introduction’s author, Kwame Dawes, is George W. Holmes Professor of English and Glenna Luschei Editor of Prairie Schooner at the University of Nebraska.

: Tim Riley; Posted On Sunday, 20 November 2022 00:27; 20 November 2022

Marilyn Monroe the reigning “Blonde”; holiday spirit on TV

‘BLONDE’ ON NETFLIX AND DVD

Sixty years have passed since Marilyn Monroe was discovered dead in her Brentwood home from an apparent barbiturate overdose. However, conspiracy theories abound to this day on the nature of her passing.

Interest in one of the most iconic Hollywood stars remains unabated. A special-edition collector’s DVD set, “Blonde: The Marilyn Stories” is set for release on December 6th.

This new, comprehensive compilation helps to answer some of the many questions that continue to linger about the extraordinary life of one of the world’s most-famed sex symbols, depicting various aspects of a complicated life cut tragically short.

Included in the DVD are two docudrama films featuring outstanding portrayals of Marilyn, “Blonde” (2001), a two-part, fictionalized biopic; and “Marilyn and Me” (1991), a dramatic feature.

Part of the package includes the first-ever exploitative biography “Goodbye, Norma Jean” (1976), originally deemed a questionable release due to its salacious nature.

Bonus material in the DVD includes two documentaries, “Marilyn” (1986), a short film with Mike Wallace, and “The Legend of Marilyn Monroe” (1967), narrated by John Huston and featuring Lauren Bacall, along with footage of Marilyn’s first-ever television appearance.

Born Norma Jeane Mortensen on June 1, 1926, the star known as Marilyn Monroe lived a brief but remarkable life of 36 years. Much has been written by many who never knew Norma Jeane, who fought hard for the fame and success that led to her being crushed beneath the weight of it all.

Marilyn was a true artist, but her on-screen appearances are in stark contrast to the love issues, exploitation, abuse of power and drug addiction she faced in her private life.

Following 30 movies, three marriages, a first-edition “Playboy” cover shot and singing to an American president, Marilyn is unfortunately remembered more for her iconic images and controversial alliances than for her extraordinary acting and singing talents.

While waiting for the DVD release of “Blonde: The Marilyn Stories,” Netflix offers “Blonde” starring Ana de Armas in the titular role of a film based on the bestselling novel by Joyce Carol Oates.

Watching the Netflix film which blurs the lines of fact and fiction to explore the widening split between her public and private selves may prove to be a real slog. Rotten Tomatoes does no favors with its low ratings.

A graphic abortion scene is a bit much to stomach, and so is the rape by a Hollywood mogul. Even a sexual encounter with President Kennedy borders on the pornographic.

The saving grace to “Blonde” is Ana de Armas’s extraordinary transformation into the naive troubled actress navigating the treacherous world of the film industry and assorted degradations.

Putting aside failed marriages to baseball star Joe DiMaggio and author Arthur Miller as well as liaisons with political figures, the best way to remember Marilyn would be to enjoy films like “The Seven Year Itch,” “Some Like it Hot” and “Gentlemen Prefer Blondes.”

HOLIDAY SPIRIT ON THE HALLMARK CHANNEL

Forget about Thanksgiving, the Christmas holiday spirit gets started on Hallmark Movies & Mysteries before anyone even has had a chance to fully digest the traditional turkey dinner.

Hallmark has a cottage industry of Christmas films in the pipeline. Taylor Cole and Benjamin Ayres star in “Long Lost Christmas,” an original movie that is part of the network’s annual “Miracles of Christmas” programming event.

This Christmas, Cole’s Hayley plans to surprise her mother Patricia (Jaqueline Ann Steuart) with the perfect holiday present — the extended family she knows her mom yearns for.

Having discovered the existence of her mother’s long-lost brother, Hayley travels to a small town outside of Denver to chase a lead on a man named Gordon (Grant Vlahovic) who might be her uncle.

Delighted by the town’s holiday spirit, Hayley becomes equally charmed meeting Gordon’s daughter and property manager Jake (Benjamin Ayres). As she tries to discover whether Gordon is actually her uncle, Hayley begins to fall in love with the idea of an extended family.

But Hayley starts to have second thoughts when she learns the circumstances surrounding the siblings’ separation and decides to abandon her mission. For his part, Gordon is happy to finally have a lead on finding Patricia.

Bruce Campbell (“Ash vs Evil Dead”), who fought zombies in the movies, seems like an improbable choice in a starring role in the Hallmark Channel original movie “My Southern Family Christmas.”

Under the guise of a journalist writing a story about a tight-knit community that makes Christmas special, Jaicy Elliot’s Campbell has a chance to get to know her biological father Everett (Bruce Campbell) for the first time, without him knowing who she really is.

As she spends time with him and his family, Campbell realizes that families are messy, wonderful things. In the end, she must decide if she’s going to keep her identity a secret or reveal the truth to her father — a decision that will change their family Christmas forever.

Tim Riley writes film and television reviews for Lake County News.

: Debra Fredrickson; Posted On Friday, 18 November 2022 04:07; 18 November 2022

Lake County Symphony plays Mozart and More at upcoming Fall Concert

LAKE COUNTY, Calif. — The Lake County Symphony performs music by Wolfgang Mozart, among others, in the 2022 “Amadeus in Autumn” Fall Concert at 2 p.m. Sunday, Nov. 20, at Lakeport’s Soper Reese Theatre.

Other featured composers in this concert are Camille Saint-Saens, Jean Sibelius, Christoph Gluck and Felix Mendelssohn.

The concert begins with a performance by the newly combined Community and Youth Orchestra playing several energetic and recognizable pieces that are guaranteed to create some noise from the audience.

After things quiet down, Conductor John Parkinson starts off the main concert with “March Militaire Francaise” from the Algerian Suite, Op. 60 by Saint-Saens. (1835-1921).

A French composer, pianist, organist, and conductor of the Romantic period, Saint-Saens was a child prodigy who was giving concerts by age 10. Saint-Saens composed more than 300 works that included operas, symphonies, oratorios, cantatas, and piano concertos. He also witnessed the beginnings of 20th-century music and was the first musician to compose for the cinema.

Saint-Saens visited Algeria for the first time in 1875 and developed a life-long love of the country. He wrote his “Suite Algerienne” in 1880. This work was written in four movements; the last movement became very popular on its own, and is the movement featured in this concert.

“Finlandia,” by Sibelius (1865-1957) comes next in the concert lineup.

Sibelius was a Finnish composer who is widely regarded as his country’s greatest composer. His rousing and turbulent piece is often credited with having helped Finland develop a national identity during its struggle for independence from Russia.

“Finlandia” premiered in July 1900 in Helsinki and had to be performed under alternate names at various musical concerts to avoid Russian censorship. Titles under which the piece masqueraded were numerous and often confusing.

Next is “Dance of the Blessed Spirits” by Gluck (1714-1787) which is from the second scene of Gluck’s opera, “Orfeus and Euridice,” the most popular of his works. Patricia Jekel, principal flute player for the Lake County Symphony, is the soloist. This piece has been called “pastoral” and “tranquil,” which some find surprising in an opera about Orpheus’ journey to Hades, the realm of the dead, in search of his departed wife.

The first half of the concert ends with “The Hebrides Overture” by Mendelssohn, (1809-1847). Although called an overture, the work is conceived in Romantic-era fashion as a stand-alone piece. Mendelssohn was the offspring of a wealthy German family and was considered a prodigy on the same level as Mozart. He wrote this piece after experiencing a strong emotional reaction while visiting the Scottish islands at age 20, during his “grand tour” of Europe.

In a letter to his sister, he shared the first few measures of the piece with her. He wrote, “In order to make you understand how extraordinarily the Hebrides affected me, I send you the following, which came into my head there.”

Following intermission, the Symphony performs two pieces by Mozart, (1756-1791) one of the most prolific and influential composers of the late Baroque-early Classical period. Kelsey Wiley, principal horn player (first chair) of the Lake County Symphony, is the featured soloist in Mozart’s Horn Concerto No. 2 in E-Flat major.

The final piece in the concert is Mozart’s Symphony No. 35 “Haffner.” He created this piece in response to a request from his father for a new symphony to honor Sigmund Haffner, a family friend who was being elevated to nobility. But he felt rushed (his life was hectic at the time) and thought the piece wasn’t up to his usual standards.

So, when Mozart reviewed the score a while later, he was amazed at its quality. He decided to convert it into a symphony. First performed in Vienna in 1783, it was well received and financially successful.

Tickets for the 2 p.m. concert are $25 for general seating and $30 for premium and are available for purchase on the Soper Reese website.

LCSA members receive a $5 discount. Please arrive 30 minutes early when buying tickets at the door for the regular 2 p.m. concert.

The 11 a.m. dress rehearsal performance costs $5 for adults and is free for those for those under 18. Please arrive extra early to ensure a seat.

: Tim Riley; Posted On Saturday, 12 November 2022 21:49; 12 November 2022

TV legal themes for ‘Family Law’ and ‘So Help Me Todd’

‘FAMILY LAW’ ON THE CW

There’s something oddly humorous about a dysfunctional family engaged in the practice of family law.

That’s exactly what happens when attorney Abigail Bianchi (Jewel Staite) ends up unwillingly having to work at her father’s firm on a probationary basis.

The new “Family Law” series on the CW network opens with Abigail dozing in her car outside a bar after a night of heavy drinking. It’s morning and she wakes up with only minutes to make it to court before her case gets dismissed.

Stumbling into the courtroom where a group of students are filming on their phones, Abigail can barely steady herself before vomiting right into the lap of her startled client. Of course, the student videos go viral and Abigail proves to be toxic.

Apparently not a novice boozer, Abigail is suspended from practicing law and can only redeem her career through a mentorship with a seasoned lawyer. The only person willing to take the assignment is her estranged father Harry Svensson (Victor Garber).

An old-school lawyer, Svensson runs a top family law firm, which also employs Abigail’s half-siblings Daniel (Zach Smadu) and Lucy (Genelle Williams), the firm’s psychologist. That Abigail had never met her half-siblings before adds to tension at the office.

Harry walked out on Abigail’s mom Joanne (Lauren Holly) when their daughter was only seven, and fathered two more children that Joanne refers to as the “rainbow-colored siblings.”

As the oldest of the three Svensson offspring, Abigail is rather condescending to Daniel and Lucy, belittling their accomplishments and status as a coping mechanism for her low standing in the office.

Eager to jump into a case, Abigail is almost certain to run afoul of her father’s condition that she stick to menial office tasks and not make waves or interject herself into litigation.

Before the first episode lays bare all the family dysfunctions, Abigail plunges into the case of a teenager desperate to find her biological father who was a sperm donor found on Craigslist.

The unaware father turns out to be a successful developer who ends up being sued for 13 years of child support, and during the trial Abigail veers off into a tangential diatribe against her own “lousy parent, an emotionally stunted and unavailable human being.”

Abigail has other issues to deal with, namely that her husband Frank (Luke Camilleri) tossed her out of the house, and her teenage daughter Sofia (Eden Summer Gilmore) remains aloof while younger son Nico (Brenden Sunderland) is more forgiving.

Since “Family Law” is a pickup of a Canadian series that’s been announced for a third season, we’ll see if it has staying power with an American audience.

‘SO HELP ME TODD’ ON CBS

The CBS network has an affinity for procedurals, and “So Help Me Todd” might fit into that category if it could figure out whether it is a detective drama or a comedy about a dysfunctional family relationship.

Show creator and executive producer Scott Prendergast informed critics during the summer press tour that the show is based on his own true story about his mother’s husband disappearing and how he helped find him.

That personal inspiration is the foundation for the first episode in which Marcia Gay Harden’s Margaret Wright, a lawyer in a Portland firm, enlists the help of her wayward son Todd (Skylar Astin) to track down her missing spouse (Mark Moses).

Todd is first seen in a supermarket stalking a single mom suspected of insurance fraud on a phony disability claim. He’s relegated to this grind after losing his private investigator license for illegal surveillance work.

Even worse, he’s living in his sister’s (Madeline Wise) garage, and his mother Margaret thinks it’s time that her errant son needs to get his professional life back on track.

There may be doubts about Todd doing investigative work for a law firm, but he soon proves his worth in unorthodox ways beyond locating a vanishing spouse.

At the firm, Todd is reconnected with old flame Susan (Inga Schlingmann), now engaged with a huge rock on her finger. He’s also sparring with overbearing researcher Lyle (Tristen J. Winger) who is more uptight than Tony Randall ever was as Felix Unger in “The Odd Couple.”

According to Scott Prendergast, his main inspiration was the quirky private detective agency in “Moonlighting,” and he counts his new series as a throwback to classic procedurals like “Hart to Hart” and “Remington Steele.”

Like others in the genre, “So Help Me Todd” has a new case every week, with plenty of red herrings and twists, and the end of each episode brings a big resolution, and Todd will be goofy at times and skate close to the edge.

Above all else, “So Help Me Todd” is a show with a light touch wrapped into a series of mysteries that work best because Marcia Gay Harden and Skylar Astin are a great team thoroughly invested in the humor and frustration of the generational divide.

Tim Riley writes film and television reviews for Lake County News.

Arts & Life

American Life in Poetry: Crater Heart

Lake County Community and Youth Orchestra to perform rousing tunes at upcoming LCSA concert

American Life in Poetry: The Love Ridge Loop

Marilyn Monroe the reigning “Blonde”; holiday spirit on TV

Lake County Symphony plays Mozart and More at upcoming Fall Concert

TV legal themes for ‘Family Law’ and ‘So Help Me Todd’

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