
Eric Pankey, in his poem, “In Such a Way That,” participates in one of the rituals practiced by poets the world over — the marking of the changing seasons.
The transitions from winter to spring, from rainy-season to dry-season, from monsoon to autumn and from harmattan to spring, are announced with poems rich with intimations of beginnings and endings.
This poem borrows, with subtlety, from the biblical canticles and psalms associated with the vespers, invoking gratitude and confession in a space where contradictions and “double assignments” (entanglements and lodgings, shelters and staging grounds) abound. In the end, there is some comfort, for Pankey, in the changing seasons and in these remembered prayers.
In Such a Way That
By Eric Pankey
Winter ends with a miscellany’s logic: a leaden horizon,
A narrow but unbridgeable distance.
Stolen moments are exchanged for isolated hours,
Elaborate entanglements, a lodging.
One’s suitable room fulfills a double assignment
As a stage and shelter. The heady pollen of stargazer lilies
Covers the bureaus, the desktop, and end tables.
Beyond the window, the sacred mountain
Is depleted of snow. On a frequency
At the far end of the dial, one can hear
Vespers, and recall the little Latin one learned long ago,
Knowing even then it would come in handy
American Life in Poetry does not accept unsolicited manuscripts. It is made possible by The Poetry Foundation, publisher of Poetry magazine. It is also supported by the Department of English at the University of Nebraska-Lincoln. Poem copyright ©2020 by Eric Pankey, “In Such a Way That” from The Georgia Review, Winter 2020. Poem reprinted by permission of the author and the publisher. Introduction copyright ©2022 by The Poetry Foundation. The introduction’s author, Kwame Dawes, is George W. Holmes Professor of English and Glenna Luschei Editor of Prairie Schooner at the University of Nebraska.